| ANNE ZAHALKA |
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Born Sydney, 1957 EDUCATION 1976 Art Certificate, Stages I and II, East Sydney Technical College 1979 Bachelor of Visual Arts, Sydney College of the Arts 1989 Post Graduate Diploma, Sydney College of the Arts 1994 Master of Fine Arts, College of Fine Arts, University of New South Wales SOLO EXHIBITIONS 2000 Leisureland, Roslyn Oxley9 Gallery, Sydney and Manly Art Gallery and Museum 1999 Leisureland, Anna Schwartz Gallery, Melbourne 1998 Woven Threads II, Roslyn Oxley9 Gallery, Sydney Woven Threads, Gallery 4a, Asian Australian Artists Association, Sydney 1997 Open House, Fotogalerie in der Alten Feuerwache, Mannheim, Germany Woven Threads, Centre for Contemporary Photography, Melbourne, and Salamanca Arts Centre, Tasmania 1996 Collectors, Roslyn Oxley9 Gallery, Sydney 1995 Open House, Anna Schwartz Gallery, Melbourne 1994 Gesture, Roslyn Oxley9 Gallery, Sydney 1993 Gesture, City Gallery (now Anna Schwartz Gallery), Melbourne 1992 Details, City Gallery , Melbourne 1991 Details and Resemblance I, Claybrook Gallery, Auckland, New Zealand Artists, Contemporary Art Centre, Adelaide 1990 Artists, City Gallery, Melbourne 1989 Resemblance I & II, Chameleon Gallery, Tasmania Bondi: Playground of the Pacific, Bondi Pavilion, Sydney; Cambelltown Bicentennial Regional Art Gallery; Orange Regional Art Gallery 1988 Resemblance I, Institute of Modern Art, Brisbane; Camerawork Gallery, London Resemblance I & II, 200 Gertrude Street, Melbourne 1987 Resemblance I, Kunstlerhaus Bethanien, Berlin Resemblance I, Australian Centre for Photography, Sydney 1986 The Wanderer upon a Castle came ..., Kunstlerhaus Bethanien, Berlin The Tourist as Theorist: (theory takes a holiday), Kino Eiszeit, Berlin, International Super 8 Festival GROUP EXHIBITIONS 2000 Sporting Life, Museum of Contemporary Art, Sydney Disparate Journeys, ffotogallery, Cardiff, Wales 1999 Sydney Metropolis,Museum of Sydney, Sydney 1998 Unhomely, Sonje Museum of Contemporary Art, South Korea The Body in Question, Wessel + O'Connor, New York, USA ICONS: Pictures of the City, Galerie Fotohof, Salsbourg, Austria Signature Works, 25th anniversary exhibition, Australian Centre for Photography The Innovators, SH Irvin Gallery, Sydney Silver, 25th Anniversary Exhibition, College of Fine Arts past Faculty, COFA Haimish, Jewish Museum of Australia, Melbourne After the Masters, Master of Fine Arts 1993-1997 Selected Work, Ivan Dougherty Gallery 1997 Distanz und Domicil, Kunsthaus, Dresden, Germany Artists in the House, Elizabeth Bay House, Sydney 1996 Prospect, Photography in Contemporary Art, Frankfurt Kunstverein, Frankfurt Inheritance, Australian Centre for Photography, Sydney 1995 The Work of Art: On-going Work, The State Library of New South Wales, Sydney Double Vision, Ivan Dougherty Gallery, Sydney; Canberra School of Art, Canberra Beach, Museum of Modern Art at Heide, Melbourne The Wandering Jew, The Jewish Museum of Australia, Melbourne Decadence:10 Years of exhibitions at 200 Gertrude Street, 200 Gertrude Street, Melbourne 1995 The Object of Existence, Australian Centre for Contemporary Art, Melbourne 1994 Sydney Photographed, Museum of Contemporary Art, Sydney 1993 Luminaries, Monash University Gallery, Melbourne (part of 5th Australian Sculpture Triennial) Locations, Artspace, Sydney 1992 Empty Land/Southern Crossing, Camerawork Gallery, London Locations, Australian Centre for Contemporary Art, Melbourne 1991 A Constructed Reality, National Gallery of Victoria, Melbourne Contemporary Colour, Art Gallery of New South Wales, Sydney Fertile Ground, Griffith University College, Queensland 1990 As idle objects lie (collaboration with Felicia Kan), First Draft West, Sydney The Readymade Boomerang: Biennale of Sydney, Art Gallery of New South Wales, Sydney 8" x 10" Fundraising Exhibition, South Australian Centre for Contemporary Art, Adelaide Defective Models: Australian Portraiture 19th and 20th Centuries, Monash University Gallery, Melbourne Twenty Contemporary Photographers, National Gallery of Victoria, Melbourne and national tour Australian Photography, City of Waverley Collection, Waverley Art Gallery, Melbourne 1989 Re-model, George Paton Gallery, Melbourne Collaborations (collaboration with Brenda Ludeman and David OHalloran), Artspace, Sydney re: Creation/Re-creation, Monash University Gallery, Melbourne 1988 The Great Australian Art Exhibition 1788 - 1988, Queensland Art Gallery, Brisbane;Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Tasmanian Museum and Art Gallery, Hobart; National Gallery of Victoria, Melbourne; Art Gallery of South Australia, Adelaide Artisans (collaboration with Brenda Ludeman and David OHalloran), George Paton Gallery, Melbourne Here and There, Monash University Gallery, Melbourne Stories of Australian Art, Commonwealth Institute, London 1987-8 Fortune, George Paton Gallery, Melbourne, Ivan Dougherty Gallery, Sydney, Institute of Modern Art, Brisbane, and Contemporary Art Centre, Adelaide 1987 Window to Window, Deakin University, Victoria Pure Invention, Parco Gallery, Tokyo and toured Japan, 200 Gertrude Street, Melbourne, Australian Centre for Photography, Sydney, and South Australia From the Newsagency, Kunstlerhaus Bethanien, Berlin 1986 Suspending Belief, The Observatory, Brisbane The Landscape Re-presented (with Geoff Kleem), Union Street Gallery, Sydney Elsewhere, Biennale of Sydney satellite exhibition, Australian Centre for Photography, Sydney 1986 Union Street, George Paton Gallery, Melbourne and Kelvin Grove College, Brisbane In Full View, Art Gallery of New South Wales, Art Gallery of Western Australia, Art Gallery of South Australia, and Queensland Art Gallery The Repeated Image, Griffith University, Brisbane 1985 Anniversary Exhibition, Australian Centre for Photography, Sydney Photodramas, Artspace, Sydney and Chameleon Gallery, Tasmania 1985 Rushes, Union Street Gallery, Sydney ...outside the poem...inside the dream...a story unfolds..., (with Suzie Coyle), Union Street Gallery, Sydney Curators Choice, Developed Image Gallery, Adelaide 1984 Manipulated Work, Images Gallery, Sydney Future Unperfect, Artspace, Sydney 1983 1984 Show, Images Gallery, Sydney New South Wales Travelling Art Scholarship, Blaxland Gallery, Sydney and toured nationally New Light, Australian Centre for Photography, Sydney 1982 50th Anniversary of the Building of the Sydney Harbour Bridge, Art Gallery of New South Wales, Sydney 1982 Harbour Bridge Exhibition, Hogarth Gallery, Sydney Graduating Photography, Australian Centre for Photography, Sydney, and toured nationally 1981 Four Photographers, Bondi Pavilion Gallery, Sydney 1980 Aspects of Sydney (Polaroid exhibition), Martin Place, Sydney
GRANTS AND RESIDENCIES 1986 Visual Arts/Craft Board grant and residency, Kunstlerhaus Bethanien, Berlin 1989 Artist-in-Residence, Gertrude Street Artists Spaces, Melbourne 1989 Artist-in-Residence, Bondi Pavilion Community Centre, Sydney 1990 Visual Arts/Craft Board, Professional Development Grant 1991 Visual Arts/Craft Board, Project Grant 1996 Visual Arts/Craft Board, Professional Development Grant
COLLECTIONS Art Gallery of Western Australia Australian Bicentennial Collection Australian National Gallery Art Gallery of South Australia Art Gallery of New South Wales Waverley Art Gallery National Gallery of Victoria Albury Regional Art Gallery Monash University Collection Griffith University Collection, Queensland University of Tasmania Artbank International Polaroid Collection, U.S.A. Curtin University Collection Melbourne University Private Collections BIBLIOGRAPHY Baranowska , Carmela "Last Tango in Adelaide", Sunday Star, Auckland, July 14 1991 Best, Sue Sydney Photographed, catalogue, Museum of Contemporary Art, Sydney, 1994 Borgermeister, Rainer "Resemblance", Art & Text #29, Sydney, 1988 Buchler, Pavel "Anne Zahalka, Theory Takes a Holiday", Portfolio #31, UK, June 2000 Butler, Susan "Anne Zahalka at Camerawork", Creative Camera Carruthers, Ashley "Woven Threads review Catalano, Gary "Mapping the Art of Australia", The Age, Melbourne, 13 Nov. 1987 Cruickshank, Alan "After Now", European Photography, April/May, 1989 Dennis, Anthony "Sands of Time", Sydney Morning Herald Good Weekend, supplement, Sydney, December 1989 Dupain, Max "High Court Under Fire at Bondi", Sydney Morning Herald, Sydney, 10 October 1981 "Lets have a bit of a pictorial blood-letting", Sydney Morning Herald, Sydney, 20 December 1983 Engberg, Juliana Beach, catalogue, Museum of Modern Art at Heide, Melbourne, 1994 Locations, catalogue, Australian Centre for Contemporary Art, Melbourne, 1993 Farrar, Jill "Striking Resemblance", Vogue, Sydney, September 1988 Fitzgerald, Michael "Myth and Reality on the Beach", The Weekend Australian, Sydney, June 1990 Fox, Judith "Duo reworks old themes to make the invisible visible", Sydney Morning Herald, Sydney, 14 May Freiberg, Freda "Neighbourly Fictions", The Age, Wednesday 27th September 1995 "Anne Zahalka: Woven Threads", Photofile 51, August 1997 "Anne Zahalka: Woven Threads", Photofile 51, August 1997 Game, Ann "Sense of Place", Bondi: Playground of the Pacific, catalogue, Waverley Library, 1989 Genocchio, Benjamin Review of Leisureland, The Australian, Friday, August 2000 Gates, Merryn re: Creation/Re-creation, exhib. cat., Monash University, 1989 Godden, Christine "No bowls of fruit in the Polaroid show", Sydney Morning Herald, 4 August 1986 Green, Charles Artforum International, New York, December 1990 Hansen, David The Australian Bicentennial Authority The Face of Australia, The Land - The Present, Fine Art Press, Sydney, 1988 Helmrich, Michele "Portrait of an Artist", Artists, catalogue, City Gallery, Melbourne, 1990 article, Eyeline #5, Brisbane, June 1988 catalogue essay, The Readymade Boomerang,:Biennale of Sydney, Biennale of Sydney, Sydney, 1990 Hessey, Ruth Vogue Australia, December 1989, p38 James, Bruce Review of Innovators, Sydney Morning Herald, Spectrum, July 10, 1999 Jolly, Martyn "Clash of Genealogies at the Future Unperfect show", On the Beach #6, Spring "Flocking Australians", Bondi: Playground of the Pacific, catalogue, Waverley Library, 1989 Spurs of the Moment, Art + Text 54, Sydney 1996 Kent, Rachel Sporting Life, Museum of Contemporary Art, Sydney, 2000 Kent, Sarah Time Out preview, May 18-25, 1988 Lancashire, Rebecca "Pictures without the postcard view", The Age, Melbourne, 11 December 1992 Litson, Jo "Anne Zahalka - photographer", Australian Magazine, October 1990 Marsh, Anne "Proud portraits", McNamara, T.J. "Perspectives on Art", New Zealand Herald, July 11 1991 Moore, Catriona "Manipulated Image", review, Art Network #17, Spring, 1984 Nelson, Robert "Focus on photographerswho click as artists", The Age, Wed. 27th Oct., 1999 "Union Street", review, Art Network, Spring, 1985 Neville, Greg "Images of an inventive construction", The Age, Melbourne, 4 February 1992 "Three Exhibitions show directions", The Age, 18 November 1988 Nilsson, John Peter "Sydney Biennale", Astonbladt, Sweden, April 21 1990 Osborne, Margot "Breaking down the artistic cliche", The Advertiser, South Australia, July 13 1991 Preuhs, Sarrah Open House, Distanz und Domicil, catalogue, Kunsthaus, Dresden, 1997 Rooney, Robert "Locations Exhibition", The Weekend Australian, Sydney, 5-6 December 1992 Galleries review, The Australian, June 1990 Simons, Patricia "Resemblance and Displacement", Photofile , Autumn, 1988 and Photo Files, an Australian Reader, ed. Blair French, Power Publications and the Australian Centre for Photography, 1999 Australian Photography: The 1980s, catalogue, Australian National Gallery, Melbourne "From Australia", Contemporary Art and Craft no. 1, Australia Council Smith, Terry "No simple way to find the Australia in Australian art", Times on Sunday, 8 Nov. 1987 Tarpey, Grace Catalogue essay, Artspace, June 1989 Trioli, Virginia "Anne Zahalka - Resemblance I & II", Photofile Vol.6 #4, Summer 1988/89 von Bismark, Beatrice "Resemblance", Dokument and Analyse, Frankfurt, June 1987 Webber, Monty "Timeless Images", Eastern Herald, Dec. 1987 Williams, Donald Art Now, Contemporary Art Post- 1970, Magraw Hill Book Company, Sydney Weiermair, Peter Portraits, Edition Stemmle, Zurich/Dusseldorf, 1989 Prospect, Photography in Contemporary Art, Frankfurt Kunstverein, 1996 Weston, Neville "Focus on photographic concerns", Advertiser, South Australia, 10 Oct. 1985 "In the Galleries", Advertiser, South Australia., 24 Oct. 1984 Willis, Anne-Marie "Photodramas", review, Art Network, Winter 1985 Wilson, Peter "Down Under", Sunday Mail Magazine, 21 June 1987 Here and There: overseas residencies and recent Australian artists, Monash University, 1987 Zahalka, Anne Leisureland, catalogue, published by the artist1999 Woven Threads, catalogue, published by the artist and Community Aid Abroad, Melbourne, 1997 Gesture, catalogue, published by the artist, 1995 Fortresses and Frontiers, postcard catalogue, published by the artist, Sydney Artists, catalogue, published by the artist, 1990 Resemblance , catalogue, Kunstlerhaus Bethanien, Berlin 1987 Reproduction of work/s: Photo-Discourse, critical thought and practice in photography, Sydney College of the Arts publication, Sydney, 1981 The Sydney Harbour Bridge 1932-82, reproductions of work, Art Gallery of New South Wales, Sydney, 1982 "Australian Photography Today", European Photography #23 (pp. 55-58) "Camera Natura", On the Beach, #7 & 8, Sydney "... and the winner is...", Fade to Black, artist pages, Sydney College of the Arts, Sydney, 1985 Occasional Visits, postcard book representing six women photographers, 1986 On the Beach #3/4, Sydney, artist page, Summer-Autumn, 1984 (pp. 54-55) Visionaire 30 , The Game, 1999 Daidalos 60, Urban Habitation, (pp. 12, 42, 43), 1996 A Sea Change, Australian Writing and Photography, ed. Adam Shoemaker, Olympic Arts Festival 2000 |